OBJECTIVE Content components This bold new exhibition challenges traditional concepts of still life, showcasing a diverse range of artists who push the boundaries of the genre. With a focus on contemporary expression, the exhibition offers an exciting departure from the conventional, using painting, video, sculpture and installation to explore everyday objects and scenes in unexpected ways.The featured artists each bring a unique vision to the genre. Familiar objects are transformed through abstraction and everyday forms are elevated into striking visual experiences. Installations examine the relationship between nature and the artificial, and personal narratives add a sense of intimacy and familiarity to the inanimate objects.Through humour, whimsy and bold experimentation, the artists re-energise the still life genre, inviting audiences to engage with the ordinary in unexpected and imaginative ways. This playful approach challenges the boundaries of traditional still life and encourages a vibrant dialogue between art and perception. The result is still life by definition - but not as you know it.Featuring: Tony Albert, Sally Anderson, Nadine Christensen, Adam John Cullen, James McGrath, Pia Murphy and Louise Paramor.Image credit: Nadine Christensen, ‘Untitled (Connect4)’, 2018, acrylic on board with cedar stretcher, 95 x 80 cm, image courtesy of the artist and Sarah Scout Presents, Melbourne. OBJECTIVE video transcript Tony Albert, ‘Rebirth After the Fire’, 2022, acrylic and vintage appropriated fabric on canvas, 300 x 200 cm. Pillion Art Collection. Image courtesy of the artist and Sullivan+Strumpf. Tony Albert, ‘Rebirth After the Fire’, 2022, acrylic and vintage appropriated fabric on canvas, 300 x 200 cm. Pillion Art Collection. Image courtesy of the artist and Sullivan+Strumpf. Sally Anderson, ‘Reclining middle mother, PP’s nude in a garden, birth plants, NO vessel’, 2025, acrylic on polycotton, 137 x 168 cm, image courtesy of the artist and N.Smith Gallery. Sally Anderson, ‘Reclining middle mother, PP’s nude in a garden, birth plants, NO vessel’, 2025, acrylic on polycotton, 137 x 168 cm, image courtesy of the artist and N.Smith Gallery. Louise Paramor, installation shot of ‘Divine Assembly’, 2018, on display at VOID Melbourne, 2023. Image courtesy of the artist. Louise Paramor, installation shot of ‘Divine Assembly’, 2018, on display at VOID Melbourne, 2023. Image courtesy of the artist. James McGrath, still from ‘Ocular Fleur’, 2021, 4K single-channel video, 15 minutes, image courtesy of the artist and OLSEN Gallery. James McGrath, still from ‘Ocular Fleur’, 2021, 4K single-channel video, 15 minutes, image courtesy of the artist and OLSEN Gallery. Adam John Cullen, ‘The Village’, 2025, sold cast pewter, 15 x 14 x 8 cm, image courtesy of the artist and LON Gallery. Photography by Adam Stone. Adam John Cullen, ‘The Village’, 2025, sold cast pewter, 15 x 14 x 8 cm, image courtesy of the artist and LON Gallery. Photography by Adam Stone. Read more about OBJECTIVE Short description Off On this page - anchors Off Banner Type Banner Hero Image