Pridmore Park - park area Read more about Pridmore Park - park area Pridmore Park is suitable for medium-to-large celebrations and social gatherings. Great for kids' birthday parties and riverside group picnics, this park features a fenced nature playground with a birds nest swing and climbing walls overlooking the Yarra River.
Hawthorn Velodrome Read more about Hawthorn Velodrome Hawthorn Velodrome is used by recreational cyclists and the Hawthorn Cycling Club for training and competitions.The cycling track at Patterson’s Reserve is 330 metres.
Plural Selves: David Rosetzky - online exhibition Content components Experience the work of Melbourne-based contemporary artist David Rosetzky in this major survey exhibition. Known for his exploration of the plural self and the diversity of human identity, Rosetzky’s works investigate how individuals see themselves in relation to others, often through intimate, collaborative portraits of LGBTQIA+ and marginal identities.The exhibition features some of Rosetzky’s most iconic works alongside a newly commissioned series that directly engages with the LGBTQIA+ community of Boroondara. Through video installation and photography, Rosetzky creates a compelling dialogue between different generations and experiences, staging personal narratives that consider the evolution of gender, identity and community over time.Rosetzky's collaborative process involves in-depth conversations with local participants who exist outside traditional gender and sexuality norms, drawn from diverse age groups. Through these works, Rosetzky explores the intersection of personal and collective history and vision, creating a space for reflection, connection and representation. His work offers insight into the lived realities and thinking of these individuals, touching on themes of coming out, interpersonal relationships, cultural belonging and imagined futures.Drawing on his own ties to the Boroondara region and his identity as a member of the LGBTQIA+ community, this exhibition marks a significant new chapter for Rosetzky as he merges personal experience with broader social narratives. Celebrate the resilience, diversity and stories of the LGBTQIA+ community and witness how art can foster empathy, visibility and dialogue. Image credit: David Rosetzky, ‘Stay in Love’, 2024, archival pigment print, 62.5 x 42.5 cm, image courtesy of the artist and Sutton Gallery. Download the catalogue Plural Selves accessible exhibition catalogue 905.49 KB [PDF] 13 August 2025 Featured ArtworksBrowse a selection of artworks from the exhibition by scrolling through the image carousels below. David Rosetzky, ‘Composite Portrait 7’, 2015, silver gelatin photograph, 58.5 x 48.5 cm, Wesfarmers Collection, image courtesy of the artist and Sutton Gallery. David Rosetzky - Custom Made - 1200 x 675 David Rosetzky, ‘Custom Made’, 2000, two channel digital video installation, colour, sound, timber veneer on particle board, speakers, data diffusion screens, enamel on aluminium, dimensions variable. Michael Buxton Collection, the University of Melbourne Art Collection. Donated through the Australian Government's Cultural Gifts Program by Michael and Janet Buxton, 2018. Image courtesy of the artist and Sutton Gallery. David Rosetzky - still from Gaps - 1200 x 675 David Rosetzky, still from ‘Gaps’, 2014, single channel, high-definition digital video, 35 mins, 7 seconds duration. Image courtesy of the artist and Sutton Gallery. David Rosetzky - still from Portrait of Cate Blanchett- 1200 x 675 David Rosetzky, still from ‘Portrait of Cate Blanchett’, 2008, single channel moving image, colour, sound, 9 minutes, 56 seconds. National Portrait Gallery of Australia. Commissioned with funds provided by Ian Darling 2008. © National Portrait Gallery of Australia. Choreography: Lucy Guerin; Sound Design and Composition: J David Franzke; Cinematographer: Katie Milwright. David Rosetzky - Untitled portrait (Jim) - 1200 x 675 David Rosetzky, ‘Untitled portrait (Jim)’, 2015, collage, type C photographs, 75 x 61 cm, private collection. Image courtesy of the artist and Sutton Gallery. Read more about Plural Selves: David Rosetzky - online exhibition Short description Off On this page - anchors Off Banner Type Banner Hero Image
‘Hidden Boroondara’ Boroondara Photography Competition - online exhibition Content components Explore the winning entries of the 2025 Boroondara Photography Competition.Budding photographers of all ages and abilities submitted photographs from the past and present, capturing the surprising, secret and lesser known aspects of buildings, natural environments, and people in Boroondara.You can view our Hidden Boroondara exhibition on our Online Exhibitions page.About the exhibitionJudges considered photographs in 2 categories:Open Photograph Competition for people of all agesYoung Photographers Competition for school-aged photographers.Learn more about the competition on our Boroondara Photograph Competition page.This exhibition is presented in collaboration with the Boroondara Library Service.People’s Choice AwardVisit ‘Hidden Boroondara’ exhibition to vote for your favourite work in the People’s Choice Award. Voting closes Saturday 2 August and the winner will be announced Wednesday 6 August. Image credit: Bach Tran, detail from ‘Reflection under the bridge(s)’, 2024, digital image, dimensions variable, image courtesy of the artist. Primary School Photographers, Young Photographers Competition Highly Commended: Asher Nguyen, ‘The Future of a Cat', 2025. Artist Statement: This photo was taken in Asher's backyard in Ashburton. The picture is of his pet cat, Mokey. Judges’ Comments: The photographer clearly showed great care around their subject to capture such a moment of quiet concentration, inspiring curiosity into the hidden lives of our pets. Very good use of light to show the detail of the cat’s soft fur and delicate whiskers. Primary School Photographers, Young Photographers Competition Highly Commended: Alexander Lam, ‘The secret beauty of Boroondara', 2025. Artist Statement: Just on the border of Boroondara, I found a bridge. It was amazing during the golden hour. When I looked at the photo, it looked like somewhere completely different - maybe somewhere in the mountains - but it is actually in Boroondara. This photo is taken in the anniversary outer circle trail, Ashburton. Judges’ Comments: The colours in this photo are warm, golden and peaceful. Great job capturing the details of the sunbeams and reflections in the water to create a strong contrast with the rocks and trees. The photographer has demonstrated great patience, waiting until the light looks its best. Primary School Photographers, Young Photographers Competition Third Place: Tess McGowan, ‘Fine Thread', 2025. Artist Statement: This is my picture, 'Fine Thread'. It is a spider web spread out on a black fence. It is something beautiful that most people overlook. I took this photo around the block from my house near Lynden Park in Camberwell. Judges’ Comments: It can be very tricky to photograph something as fine as a spider web, especially in front of a busy background. The photographer has done a fantastic job using natural light to show the web’s details in such focus. The colours create a very soft and gentle atmosphere in the photo. Primary School Photographers, Young Photographers Competition Second Place: Ethan Lee, ‘The Weight of Stone, the Lightness of Form', 2025. Artist Statement: This picture is taken in the playground at Hays Paddock in Kew East. The image depicts a black tadpole water sculpture hidden in Boroondara. Judges’ Comments: The focus of this photo is very impressive, skilfully revealing the small details and textures of this sculpture. It looks like you can reach into the image and touch it. The light shows the glossy, wet surface, giving some life and character to this slippery stone eel. Primary School Photographers, Young Photographers Competition First Place: Sandra Luu, ‘Rainbow Park', 2025. Artist Statement: Balwyn Park playground, Balwyn. Interesting texture of the playground through rainbow slinky. Judges’ Comments: Vibrant and colourful, this photograph shows exceptional imagination, bursting with energy and joy. The experimental angles, composition and saturated colours creatively transform this timeless toy into a portal, perhaps leading to a strange new world. Secondary School Photographers, Young Photographers Competition Highly Commended: Bach Tran, ‘Admire the view', 2022. Artist Statement: Main Yarra Trail ( inside Boroondara ), Kew. As one is faced with hidden opportunities across the bridge, they pause to admire the view of Boroondara's Main Yarra Trail before exploring a new chapter of their life. Judges’ Comments: The perspective and composition of this photograph immediately draws the viewer into the scene. The lighting is very soft, warm and grounded, uniting the earthy tones and textures of the rusty metal, fallen leaves and surrounding trees. This photograph reveals the harmony and beauty that can exist between built structures and the natural world. Secondary School Photographers, Young Photographers Competition Highly Commended: Albert Kemp, ‘Moonlight', 2025. Artist Statement: This photo depicts a near half-moon illuminated behind leaves. I took this in our backyard in Kew, and I like how the moon is nearly surrounded by leaves and has a soft, misty feel. Judges’ Comments: This photograph uses negative space and minimal light effectively to create a sense of mystery, which is very fitting for the subject matter. The choice to focus the lens on the silhouetted leaves and present the moon as a glowing blurred orb is creative and evocative. Secondary School Photographers, Young Photographers Competition Third Place: Nicholas Walmsley, ‘The silence surrounded by hustle', 2025. Artist Statement: The Charles St and Wellington St intersection, taken from inside the Trinity Grammar school playground, depicts the school crossing, usually packed by students, this time silent. Surrounded by more than a thousand students learning. Judges’ Comments: The framing of the scene through the window is a very clever response to the theme ‘Hidden Boroondara’. The photographer has transformed an ordinary street scene into a secretive and mysterious observation of our daily world, often unseen or unappreciated. Thoughtful and well-executed. Secondary School Photographers, Young Photographers Competition Second Place: Jason Li, ‘All Souls Chapel Star Trails', 2023. Artist Statement: This photo was taken at Camberwell Grammar School's All Souls Chapel. The soft glow of the chapel signifies the warmth and vibrancy of the school community, flanked by the scintillating star trails capturing the rotation of the earth. Judges’ Comments: Technically ambitious and excellently shot to capture the sweeping movement of the stars, the photographer has shown an impressive level of skill. The composition frames the arches of the stars over the building with the vibrant colours of the window in the centre to create an effective contrast between earth and sky. Secondary School Photographers, Young Photographers Competition First Place: Luca Iakovidis, ‘Feathered harmonies', 2024. Artist Statement: This photo was taken in Glen Iris on Denman Avenue. It depicts the beauty of Boroondara's natural wildlife. The magpies joined together to sing a morning chorus, an event so common yet easily missed by residents going about their day. It made me think about how people should stop to appreciate and enjoy these hidden moments. Judges’ Comments: The magpie's poses look staged as if they are participating in a choreographed performance. The photographer has done a fantastic job taking a chance encounter and filling it with energy and personality. Beautifully composed, the angle of the photograph complements the magpie's proud-looking stances, and the dark tones enhance the dramatic feel of this scene. Historical - Hidden Boroondara photograph taken 1800s to 2021, Open Photograph Competition Third Place: Phil Hawkins, ‘Old and new in Tooronga', 2008. Artist Statement: In the foreground is the vacant former site of City Bricks quarry and brickworks, which operated from around 1900 until the quarry pit was closed in 1983. In subsequent years, bricks were still sold from this site - the dilapidated and graffitied sales office is shown on the left. A number of development proposals for the former brickworks site were proposed from the mid-1980s but either not approved or not proceeded with. During the 1990s and 2000s, part of the site was used for overflow parking for employees of the Coles Myer head office in the background of the photo. When this photo was taken in 2008, the site was closed off and earmarked for a second phase of apartments and housing following the apartments constructed on the former shopping centre site. However, this did not proceed, and finally, the site was sold to St Kevin's College, who established sports fields on this site, which opened in 2017. This photo was taken adjacent to Tooronga Road in Hawthorn East. Judges’ Comments: The photographer’s use of composition to compare the raw, weathered, graffiti-covered structure in the foreground and the corporate-looking, shiny, grey building in the background tells a powerful story of a changing urban landscape. This photograph inspires curiosity about this location’s history, what function this abandoned building served, and why it was left to decay as new structures were built. Historical - Hidden Boroondara photograph taken 1800s to 2021, Open Photograph Competition Second Place: Kai O'Yang, ‘Tree we love', 2010. Artist Statement: The Rhus aff. viminalis at Riversdale Park Camberwell. This tree has been climbed by numerous kids in Camberwell. We love to sit at that bench and watch them having fun. Judges’ Comments: There is a quiet, timeless quality to this photograph that immediately draws the viewer in. The photographer has done a great job identifying strong silhouettes in the landscape that emphasise the atmospheric beauty of a foggy day, like the path guiding the eye gently through the scene. The absence of people increases the sense of gentle stillness and reflection. Historical - Hidden Boroondara photograph taken 1800s to 2021, Open Photograph Competition First Place: Phil Hawkins, ‘Death of a shopping centre', 2008. Artist Statement: Tooronga Village shopping centre dated to the 1960s, but its fate, along with the adjacent former brickworks site, was uncertain from the mid-1980s onwards. In 2006, plans were eventually approved for a new enclosed shopping mall, along with apartments and offices. The original shopping centre finished trading in March 2008 and was demolished over May and June of that year. This is the view of the old centre from Tooronga Road. The new shopping mall opened in 2010. Judges’ Comments: The temporary fencing, faded signage, and graffiti all thoughtfully capture this place as a moment in time, representing both the symbolic and physical transformations across our community. There is a sense that the photographer felt the significance of documenting a once-local landmark on the brink of disappearance from our urban landscape so that its history is not so hidden. Boroondara today - Hidden Boroondara photograph taken 2022 to 2025, Open Photograph Competition Highly Commended: Benjamin Buratto, ‘Abandoned’, 2024. Artist Statement: My photo was taken on Gwenda Avenue, Canterbury. It is an abandoned house awaiting demolition or repair shot at golden hour in July 2024. Judges’ Comments: The photographer has captured the soft light and shadow in this scene very effectively to give this abandoned house a sense of haunting stillness. The lush overgrowth adds to the feeling of time passing and nature slowly reclaiming the forgotten, ruined structure. Boroondara today - Hidden Boroondara photograph taken 2022 to 2025, Open Photograph Competition Third Place: Paul Feikema, ‘Aerial view of the Boroondara General Cemetery looking west towards the city’, 2025. Artist Statement: This photo was taken with a drone overlooking the cemetery in Kew in the afternoon, looking towards the west. Judges’ Comments: This image offers a striking new perspective of a familiar location in our local community. The photograph is carefully composed, using the structured paths and walls of the cemetery to create balance. A striking choice framing the cluster of towers making up Melbourne’s CBD and the dense suburban surrounds, further emphasising the tranquil peace of this place of rest. Boroondara today - Hidden Boroondara photograph taken 2022 to 2025, Open Photograph Competition Second Place: Yuxin Yang, ‘Saturday morning café’, 2024. Artist Statement: A young man having a quiet coffee while being absorbed on his phone in Zoobibi cafe. Judges’ Comments: Cinematic, intimate, and atmospheric: this photograph feels like a still from a noir film. The contrast is excellent, offering a rich range of tones and depth, which is challenging to achieve in black-and-white photography. The solitary seated figure with their back turned adds to the mood of the scene and speaks effectively to this year’s theme, evoking quiet contemplation of their life. Boroondara today - Hidden Boroondara photograph taken 2022 to 2025, Open Photograph Competition First Place and Best in Competition: Arun Alexander, ‘Behind the blooms’, 2024. Artist Statement: This is my deaf cat Kenji watching me garden from the backyard screen door on hot summer days. He usually lazes near the screen, lapping up the afternoon sun and curiously watching bees pollinating the blooms on the steps. Judges’ Comments: The composition is exceptionally considered, taking advantage of the straight lines of the house and steps. The rich, warm colours in the foreground contrast beautifully with the neutral colours in the background. These elements frame the work deliberately yet effortlessly, drawing the viewer’s eye to the doorway and cat, like a gentle invitation to learn more about the hidden life of the occupants. The scene feels lived-in and loved, a joyful glimpse into a home. 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‘Impressions of Place’ by Melbourne & Victorian Artists Inc - online exhibition Content components ‘Impressions of Place’ is a community exhibition showcasing the creative talents of Boroondara-based members of Melbourne & Victorian Artists Inc, an artist-run association committed to supporting both emerging and practicing artists from diverse backgrounds. This exhibition celebrates Boroondara as a source of inspiration, with artworks reflecting its vibrant people, distinctive architecture, and natural beauty.From intricate textile portraits of familiar faces to abstract paintings capturing fleeting moments of light, the artists' practices span across a wide range of mediums, including found object sculpture, photography, and traditional oil painting. This exhibition offers an invigorating perspective on the spaces and faces of Boroondara’s dynamic community.‘Impressions of Place’ showcases the artistic diversity of MAVA’s members while highlighting the profound connection between the artists and their local environment.Image credit: Geoff Cunningham, detail from ‘Social Creatures’, 2022, acrylic and aerosol on canvas, 60 x 60 cm, image courtesy of the artist. Barb Uhlenbrech, ‘Afternoon Sun’, 2025, oil on canvas, 25 x 35 cm, image courtesy of the artist. Geoff Cunningham, ‘Social Creatures’, 2022, acrylic and aerosol on canvas, 60 x 60 cm, image courtesy of the artist. Clara Batton Smith, ‘Lorikeet’, 2025, textile-stitched cotton on wool, 36 x 40 cm, image courtesy of the artist. Peta Tranquille, ‘Temporary Solution’, 2025, artist pigment, photography and timber, 30.5 x 30.5 cm, image courtesy of the artist. Alex Jobbagy, ‘Kane's Bridge’, 2025, acrylic on canvas, 30 x 40 cm, image courtesy of the artist. Kimberley Cardow, ‘Curiosity’, 2024, acrylic on canvas, 50 x 60 cm, image courtesy of the artist. Paulina Campos, ‘A Sign of Our Times’, 2025, mixed media and large format print, 26 x 56 cm, image courtesy of the artist. Read more about ‘Impressions of Place’ by Melbourne & Victorian Artists Inc - online exhibition Short description Off On this page - anchors Off
Australian Tonalism: A selection from the John and Peter Perry Collection - online exhibition Content components Discover the artistic legacy of Max Meldrum (1875–1955) in this exhibition showcasing the lifelong dedication of John and Peter Perry to collecting works by this pioneering Australian artist and his influential school. Meldrum, a key figure in 20th-century Australian art, revolutionised the painting scene between the two World Wars, creating a distinctive style that has left a lasting imprint on the nation’s artistic landscape.The exhibition features a selection of works from a collection of over 320 pieces, including paintings, sculptures, drawings and etchings. Highlights include landscapes from both France and Australia, still lifes, portraits and animal studies – all embodying the unique approach of Meldrum and his followers. The ‘Meldrumites’ – a talented group of artists such as A M E Bale, Clarice Beckett, Colin Colahan and Polly Hurry – were deeply influenced by Meldrum’s teachings, and their works are also prominently featured. Many of these artists either lived or worked in the area now known as the City of Boroondara.Also on display are fascinating studio artifacts, including plaster casts, palettes and photographs, offering a deeper insight into the artists' creative processes. The exhibition is accompanied by a limited-edition publication available through the Boroondara Arts shop, providing further context and reflection on this significant collection.Featuring: A M E Bale, Clarice Beckett, Colin Colahan, Archie and Amalie Colquhoun, Polly Hurry, John Farmer, Alma Figuerola, Justus Jorgensen, William Frater, Carl Hampel, Percy Leason, Max Meldrum, Jim Minogue, A E Newbury, Arnold Shore and others.Image credit: A M E Bale, ‘Pompon Dahlias’, c. 1936, oil on canvas, 56 x 46 cm, image courtesy of the John and Peter Perry Collection. Download the catalogue Australian Tonalism exhibition catalogue 5.51 MB [PDF] 7 May 2025 Exhibition photographyBrowse the exhibition by scrolling through the image carousels below. Clarice Beckett, ‘The Solitary Bathing Box’, c. 1933, oil on beaver board, 28 x 30 cm. Colin Colahan, ‘Madonna dell'Aria Aperta (Madonna of the Four Winds)’, 1965, patinated bronze, 76 x 50 x 32 cm. Max Meldrum, ‘The Pool’, 1923, oil on canvas on board, 34 x 37.5 cm. A M E Bale, ‘Pompon Dahlias’, c. 1936, oil on canvas, 56 x 46 cm. Colin Colahan, ‘Bridge Road, Evening’, c.1929, oil on linen on board, 33 x 40.8 cm. A D Colquhoun, ‘Portrait of a Young Girl (Alma Figuerola)’, 1924, oil on canvas, 61 x 50 cm. Read more about Australian Tonalism: A selection from the John and Peter Perry Collection - online exhibition Short description Off On this page - anchors Off Banner Type Banner Hero Image
H.A. Smith Reserve sportsground Read more about H.A. Smith Reserve sportsground Suitable for cricket, soccer, outdoor fitness training and general sports.It features:cricket nets with 3 lanes.a synthetic cricket pitch (summer-season only)a soccer pitchsoccer goals (winter-season only).Goal post padding and nets are not provided.The sportsground perimeter is 560 m.Casual bookingsBookings require a minimum notice of 5 business daysSportsground lighting is not available for casual bookings.
